Article 1.1.
Topic: Music Ministry.
Title: Setting Standards for
Effective Music Ministry. 1. SEEKING A STANDARD
Author: Grant Eaton. Date:
Original: July, 1997. Last modified: 08 January, 2003
Setting
Standards for Effective Music Ministry
by Grant
Eaton
1.
Seeking a Standard
Where
do we look for Standards to Follow?
u World's Best Practice u Quality Assurance
u Standards Profiles u
These buzz-words seem to be dominating many
a 'think-tank' or Policies Committee in Business and Education these days. To get ahead of
the rest we are all looking for that formula or image that will show us as trend setters
or leaders in our field. As the rate of change accelerates towards the new millennium,
everyone is looking for a Standard to mark them out as the one to follow.
What
is a Standard?
So, where do we look
for Standards?
Society's Standards.
¶ Performance
Standards ¶ Commercial
Standards ¶ The Crowd's
Standard ¶ Background
Music Standard ¶ Hedonistic Standard
Entertainment Standard ¶ Recording Industry Standards ¶ Sound Technology Standards
¶ Copy-cats ¶ Society's role in Creativity
¶
Other
Churches' Standards.
u Contemporary u Traditional u
Blended u Fundamental u Liturgical u Non-Liturgical
u Evangelical u Charismatic u Non-Charismatic u
A "Spiritual" Standard.
Other People's Standard.
A Biblical Standard.
1. Society's Standards.
What are the Standards that our Society
sets for musicians lives and performances? Surely they would desirable Standards for the
Christian musician to pursue!
Let's look at some of society's philosophies and compare them with the Scriptural
standards.
2 Tim 3:1-5
But mark this: There will be terrible times in the
last days.
People will be lovers of themselves, lovers of money, boastful, proud, abusive,
disobedient to their parents, ungrateful, unholy, without love, unforgiving, slanderous,
without self-control, brutal, not lovers of the good, treacherous, rash, conceited, lovers
of pleasure rather than lovers of God--having a form of godliness but denying its power.
Have nothing to do with them.
(Eccl 2:10-11 NIV)
I denied myself nothing my eyes desired; I refused my heart no pleasure.
My heart took delight in all my work, and this was the reward for all my
labor. {11}
Yet when I surveyed all that my hands had done and what I had toiled to achieve,
everything was meaningless, a chasing after the wind; nothing was gained under the sun. |
COMMERCIAL STANDARD:
| disposable music and musicians |
| fads and fashions, media driven |
| market forces, buyer - seller relationship |
| value only in $, appeal to the masses |
THE CROWDS STANDARD:
| be trendy, cutting edge |
| please the crowd, give them what they want |
| crowds are fickle - they can love you one day and hate you the next |
| if youre following the crowd, youd better check where they are going! |
HEDONISTIC STANDARD:
| if it feels good, do it ('lovers of pleasure') |
| "because I like the beat..." |
BACKGROUND MUSIC STANDARD:
| people don't listen any more because music is always in the background |
| superficial, bland, repetitious, and lacking contrast or character |
| for comfort, relaxation |
| musical analgesic to avoid facing pain
|
|
Dan 3:5 As soon as you hear the sound of the horn, flute, zither,
lyre, harp, pipes and all kinds of music, you must fall down and worship the image of gold
that King Nebuchadnezzar has set up. See
Quote re Professional
perfection. |
PERFORMANCE STANDARD:
| a cue for idolatry |
| music as an end in itself |
| composers deified |
| performers idolised |
| pride, elitism, perfectionism, exclusive |
| performer - audience relationship
|
|
(Ezek 33:31-32
NIV)
My people come to you, as they usually do, and sit before you to listen to your words, but
they do not put them into practice. With their mouths they express devotion, but their
hearts are greedy for unjust gain. {32} Indeed, to them you are nothing more than one who
sings love songs with a beautiful voice and plays an instrument well, for they hear your
words but do not put them into practice.
See Quote re Entertainment.
________________________________
Am I getting through?
Or is this entertainment value only?
The test is:
Do the audience put my message into practice?
|
ENTERTAINMENT STANDARD:
What does the entertainer do?
| attract a crowd |
| captivate an audience with a stunning voice, skill on an instrument, or woo with
seductive music |
| seek applause |
| provide escape from reality and distraction from pain |
What does the audience do?
| sit passively, getting hooked and seduced |
| worship their heroes, expressing their devotion |
| insatiable greed for more |
| they HEAR but do not PUT ANYTHING into PRACTICE themselves! |
This is how it was in Ezekiel's day, and it is even more so today. Our society is
saturated with entertainment, and we have insatiable appetites for more. It infiltrates
everything from school, home, sport, and the church. If you don't make it entertaining, no
one will listen, it seems. [If you make it boring, no one will listen either, of course!]
Get with it! Get a life! Be real! ...etc but remember that music ministry must
do far more than merely entertain. Entertainment is a feel good activity that lasts a very
short while, and then you'll need another dose. Music ministry needs to aim higher than
that. Effective ministry touches people's lives and moves them to make positive, permanent
changes, and leads them towards maturity.
|
________________________________
If you can't make it to the Concert Hall, it can now come to you.
You can enjoy the world's best performances while driving, jogging, vacuuming, or nodding
off in your favourite chair. In fact, anywhere.
________________________________
But is it the same as being there?
I think not.
And can listening to a CD of a performance in any way compare to the joy of
participating in a performance?
Listening to recordings is easy, convenient, takes no skill,
preparation or commitment.
What about Worship? |
RECORDING INDUSTRY STANDARDS:
The recording industry has dramatically changed our listening habits and expectations.
Just as we now take air-conditioned comfort for granted, we also have had our ears
conditioned to flawless, digitally corrected recordings. What are the dangers of this
conditioning for the church musician?:
| "will it sell?" is a more important question than "will it speak?" |
| "This is from his latest CD" is more significant than "This is from His
Word" |
| "Is it new?" rates higher than "Is it good?" |
| "Doesn't that sound just grab you?" wins over "Doesn't that truth excite
you?" |
| new recordings are released at an ever increasing rate. The repertoire is constantly
changing, so that the ratio of new to well-known songs can be dangerously high. |
| songs are expected to be performed one way - tempo, 'feel', interpretation must be as on
the CD! |
| successful recordings can be more the result of editing and promotion and less because
of the talent of the performer or the worth of the musical expression. |
| to sell anything, it needs to be promoted using a catchy jingle - and the bait needs to
be increasingly clever to attract a bite.
|
|
(1 Cor 14:7-8 NIV) Even in the case of lifeless things
that make sounds, such as the flute or harp, how will anyone know what tune is being
played unless there is a distinction in the notes? {8} Again, if the trumpet does not
sound a clear call, who will get ready for battle?
See Quote re Technical
perfection. |
SOUND TECHNOLOGY STANDARDS:
It says something significant about our understanding of what it means to truly worship
God, when the 'make or break' factor of a church's worship service is the sound system and
the skill of its operator! We must certainly never take the services of dedicated sound
technicians for granted, because their craft does have the potential to enhance or
distract from our opportunities for worship. But again, we need to be clear of our
purpose, values and priorities so that the standards sought by our technology hungry
society, do not dictate or limit our communion with God.
How do we know when the sound technology is limiting worship?
| when the "PA was too loud" or the "PA was too soft" comments (and
you can easily get both in the same service!) out number the "Isn't God good"
comments by 10:1, |
| when the sound has to be felt as well as heard, |
| when the congregation stops singing because they can no longer hear themselves, |
| there is no way for the congregation to respond or participate because it all has to
happen on stage through the sound system. |
| when you can't hear the song because of its accompaniment. |
| when no consideration whatever is given to the optimal acoustic environment for
congregational participation, when designing new sanctuaries. |
| when a power failure means we cancel the service and go home. |
Or, how about this recent quote from a worship
leader, when it was discovered the computer
projection system had no backup globe (August 2001):
"Our whole service revolves around the
computer projector. The whole service is done on 'Powerpoint'.
If the globe blows, we've got nothing! We may as
well go home!" I appreciate that the
worship leader was expressing a legitimate practical
concern that all the work preparing and putting
songs, prayers, message notes etc on the screen for
the congregation would be wasted if the globe were
to blow, and that there is the need for a backup,
but it is of concern if our dependence on technology
and the perfection of the presentation of the 'show'
is so important that we loose sight of the fact,
even for a moment, that our worship, to indeed be
worship, must revolve around
Christ.
Let's do all we can to avoid unnecessary
distractions from focussing on Christ, by preparing
thoroughly and having adequate equipment and
backups, but when people or equipment fail, we can
still rejoice that God never fails, and worship Him
all the more.
|
Amos 5:23, 6:5 Away with the noise of your songs! I will not
listen to the music of your harps.
You strum away on your harps like David and improvise on musical instruments.
See Quote re Copying
Encourage CREATIVITY, sure, but here's the
CHALLENGE:
- to channel the creativity of the class "born performers"
into worthy rather than disruptive pursuits!
|
COPY-CAT:
| copy any effective formula or fad to get ahead. |
| "...like David... Away with the noise of your songs." Amos 6. (Even copying
the Master Musician proved ineffectual!) |
CREATIVITY IS STIFLED IN OUR SOCIETY
| Parents ("...be quiet, you sing like your mother!") |
| School (put downs, expectations, environment etc.) |
| TV (we dont have to think, imagine, create etc.) |
We should be encouraging creativity, not stifling it like aspects of our society often
do.
|
"...You have let go of the commands of God and are holding on to the traditions of men."
(Mark 7:8 NIV)
Clearly, many of Society's Standards are quite contrary to Christian
values and principles. Many Christian musicians have come through Music education systems
that are based on Society's Standards of excellence. While I believe all Christian
musicians should strive to develop and maintain excellent musical skills (which, for the
truly gifted musician, should be comparable to any musician in the world), God calls us to
a higher standard - a standard which is not measured by Society's yard-stick, nor is it
compared to worldly success, but which is of eternal value.
"If any man builds on this foundation using
gold, silver, costly stones, wood, hay or straw,
his work will be shown for what it is, because the Day will bring it to light. It will be revealed with fire, and the fire will test the quality of each man's work."
(1 Cor 3:12-13
NIV)
'Do not deceive yourselves. If any one of you thinks he is wise by the
standards of this
age, he should become a "fool" so that he may become wise.
'
(1 Cor. 3:18)
|
2. Other Churches' Standards.
While many of the Standards that our
Society sets may be inappropriate for the Christian musician, surely other successful
churches would have standards we can emulate. We can indeed learn much from others and
should be open to what they can teach us.
But a word of WARNING! Remember,
if you are a gardener, successful transplantation involves getting the whole plant, roots
and all, and planting it in a comparable environment and supplying equivalent nourishment.
You might like the visible fruit or flower of a plant, but just trying to product the
fruit without the root stock and the essential nourishment is futile.
Similarly, just copying the visible aspects
of another church's music ministry, without planting and nourishing the root stock, will
be no more fruitful than the musicians of Amos' day whose songs were rejected by the Lord.
(Amos 5, 6). Not even copying David's music was enough.
(John 4:19-24
NIV) ""Sir," the woman said, "I
can see that you are a prophet.
Our fathers worshiped on this mountain, but you Jews claim that the place where we must
worship is in Jerusalem."
Jesus declared, "Believe me, woman, a time is coming when you will worship the Father
neither on this mountain nor in Jerusalem.
You Samaritans worship what you do not know; we worship what we do know, for salvation is
from the Jews.
Yet a time is coming and has now come when the true worshipers will worship the Father in
spirit and truth, for they are the kind of worshipers the Father seeks.
God is spirit, and his worshipers must worship in spirit and in truth."" |
We can recognise worthy ideals, and learn from the experience of others, while still
remaining faithful to our God-given vision for the standard He requires of us.But care
needs to be taken! Consider:
Local Churches have unique characteristics
| what works in one church may not necessarily work elsewhere |
| different denominations have different emphases |
| the resources of some churches may not be able to manage the complexities
of music performed by others. |
| you might like another church's latest Worship CD, but it may be unwise
to force it on your congregation without the stylistic integrity of the particular musical
genre. |
Copying techniques and repertoire without the spiritual foundation, prayer,
discipleship, obedience and consecrated servanthood, leads to entertainment value at best.
|
|
Data Transfer is not Communication
| Gigabytes of data are transferred around the world every hour, but is
anybody listening? |
| communication involves relationship, meeting needs, touching people...etc
|
|
|
Neither is Music necessarily Ministry
| ministry also involves relationship, meeting needs, connecting with God
and each other. |
| a moving musical experience or stunning performance are not of themselves
a basis for the worship of God. |
| discern the difference between cultural and spiritual values.
|
|
(Mat 15:2-3
KJV) Why do thy disciples transgress the tradition
of the elders? for they wash not their hands when they eat bread.
But he answered and said unto them, Why do ye also transgress the
commandment of God by your tradition?(Col 2:8-10
NIV) See to it that no one takes you captive through hollow and
deceptive philosophy, which depends on human tradition and the basic
principles of this world rather than on Christ. {9} For in Christ all the fullness of the
Deity lives in bodily form, {10} and you have been given fullness in Christ, who is the
head over every power and authority.
"When one generation passes on its symbols to the next
generation, without passing on the meaning of those symbols, the next generation either
rejects them or becomes enslaved by them"
[I have lost the source of this quote. I thought I got it
from Lovelace and Rice Music and Worship in the Church. Abingdon - but I can't
find the exact quote. If you can help me, please Email
me.] |
Traditional Standards:
Churches easily move from being living organisms (Body of Christ model) to institutions
which soon accumulate numbers of both worthy and vain traditions. Even in 'non-conformist'
churches, the 'creature of habit' nature can take hold and conformity to unwritten
traditions is evident.
What is wrong with Tradition?
The problem is not with the tradition, but rather:
| our failure to acknowledge the over-riding sovereignty of God |
| not discerning the difference between worthy and vain traditions? |
| our lack of understanding of a tradition's meaning and significance? |
| pursuing an empty tradition without the meaning behind it, leads to its rejection or the
repetition of vain rituals. |
| People today rightly reject superficiality, meaningless symbols, insincerity,
inconsistency and the lack of conviction. |
These are NOT issues of style and taste!
The issues are motivation and meaning.
Replacing a 'traditional' expression with a more 'contemporary' one without changing the
motivation and meaning of the expression, is to just exchange an old meaningless symbol
for a newer one!
| Instead, this is what we need today: Truth, Reality, and Eternal values, and ways of
communicating it with love, power and authority. |
| A part of this communication will be the continued use of effective symbols, and the
continuing education of the meaning of those symbols. |
| It will also mean letting go of some symbols and expressions which are no longer able to
communicate meaningfully in our society, and embracing others which will highlight the
meaning most effectively. |
This is a process of growing towards maturity, and not just pandering to fashion or
flesh.
| We must ultimately edify more than we entertain, and |
| touch people who have real needs more than we perpetuate points of
cultural significance.
|
|
3. A "Spiritual"
Standard.
One approach to Standards of musical
performance in the church, is to hide behind the fact that God looks on the heart.
Advocates of this position would not say it quite like this, but the inference is that
"it doesn't have to be good - it just has to be something, after all God uses the
foolish things of this world to confound the wise. As long as our hearts are right, God
can use us."
This "Spiritual" approach seems
to excuse poor preparation or performance.
Indeed God does look on the heart, but unfortunately people can't always!
They may not discern that one's heart is sold out towards God, if one's performance shows
indifference or is devoid of basic musical skills.
They also may not discern (although truly spiritually minded ones will) that a dazzling
display of talent that warrants a standing ovation, may momentarily move emotions but in
the end it may be mere music - just froth and bubble. "I really enjoyed that
Service" may be a typical comment from people who look on outward appearances but are
really just enjoying good music. It may appear to be a really happening Church, but what
is really happening? Is God even there? Is anyone's life really changed?
If we are to attain a truly Spiritual
standard, we need to understand and appropriate in our daily lives, the meaning of true
Spirituality.
(1 Sam 16:7
NIV) "But the LORD said to Samuel, "Do not
consider his appearance or his height, for I have rejected him. The LORD does not look at
the things man looks at. Man looks at the outward appearance, but the LORD looks at the
heart."" |
"The Lord looks on the heart..."
is no excuse for sloppy standards!
In fact, if our standards remain sloppy, its time we looked at our own
hearts!
The notion that sloppy standards are excusable because God looks on the
heart, is quite ridiculous when you think about it, because God's standards are actually
much higher than man's! God looks much deeper.
| He can look past the slothful performance to a heart that
is rebellious and deceitful.
|
| He can look past an exemplary performance to a heart that
is proud and conceited.
|
|
NB! |
| No amount of human cleverness can compensate for the weakness of
a heart that is out of tune with God. |
| No amount of human weakness can diminish the power of a
consecrated heart that God chooses to use. |
|
What is the question? To be or not to be?
To be active or merely available?
To prepare or not to prepare?
To be simple or profound?
To let go and let God?
Is it more "spiritual" to be spontaneous?
|
Standards of
excellence in Christian Music Ministry are not determined primarily by the degree of
skills displayed, or apparent "spiritual" prowess. It may be equally
"unspiritual" to have:
| pride in one's performance skill |
| lack of pride (or slothfulness) in one's preparation and presentation. |
God moves in mysterious ways, as we well know, and may move mightily through:
| a skilful performance of a talented and well rehearsed musician, |
| a stammering word from a humble servant, |
| the thorough preparations of a competent worship leader, |
| the simple spontaneous expression of a heart overflowing with God's love.
|
|
4. Other People's Standard.
Other people's expectations can be a very
inhibiting factor. We need other people. We can learn from each other, and Music Ministry
is very much a team building exercise. But if we let other people's expectations determine
our Standards, we might easily miss God's best for our ministry.
We can easily burn out if our ministry is
limited by what others might think!
Approval ratings! What a millstone they can
be for politicians. But even more for the Christian musician whose chief concern is to win
the approval of man.
(Gal 1:10
NIV) "Am I now trying to win the approval of men, or
of God? Or am I trying to please men? If I were still trying to please men, I would not be
a servant of Christ." |
Whose rules, rule?
Trying the live up to others expectations?
Trying to live up to what you THINK others expect of you?
Trying to please everybody?
|
IF IT IS SUCH COMMON SENSE,
WHY DON'T WE DO IT! |
Of course, not! I wouldn't fall
into that trap. Or would I? |
(1 Cor 10:31-33
NIV) So whether you eat or drink or whatever you do,
do it all for the glory of God. {32} Do not cause anyone to stumble, whether Jews, Greeks
or the church of God-- {33} even as I try to please everybody in every way. For I am not
seeking my own good but the good of many, so that they may be saved. (Eph 1:9-10
NIV) And he made known to us the mystery of his will according to
his good pleasure, which he purposed in Christ, {10} to be put into effect when the times
will have reached their fulfillment--to bring all things in heaven and on earth together
under one head, even Christ. |
Which Crowd should we Please?
The 'IN' crowd - or the - 'OUT' crowd
The trendy crowd - or the - snobby crowd
The Vocal minority - or the - Silent majority
The 'baby boomers' - or the - 'baby busters'
The 'seekers' - or the - 'saints'
The carnal - or the - spiritual.
Or maybe we are asking the wrong question.
If we focus on pleasing one crowd, the chances are we won't please the other. For Paul the
essential thing was to win the approval of God, (Gal. 1:10) but then he was careful not to
cause any 'crowd' to stumble. His solution to diverse needs was to firstly preach
Christ, (in whom all things will be united), but in non essential matters, he did not seek
his own good, but the good of many, so that they may be saved.
We therefore need to discern the spiritual from the cultural, the real
from the merely relevant, and boldly pursue the Will of God.
|
(Rom 14:16-20
NIV) Do not allow what you consider good to be spoken
of as evil. For the kingdom of God is not a matter of eating and drinking, but of
righteousness, peace and joy in the Holy Spirit, because anyone who serves Christ in this
way is pleasing to God and approved by men. Let us therefore make every effort to do
what leads to peace and to mutual edification. Do not destroy the work of God for
the sake of food. All food is clean, but it is wrong for a man to eat anything that causes
someone else to stumble. |
But what about Edification?
| Is it edifying to always give people what they want?
|
| Is entertainment edifying?
|
| Do not destroy the work of God for the sake of matters of personal taste
or preference.
|
| Any musical style may be permissible, but it is wrong to use anything
that causes someone else to stumble.
|
| But who is likely to stumble?
|
| The weaker brother. Sees you eating meat when he can only take milk.
|
| The stronger brother may also be weakened if he can't get the meat that
he needs.
|
|
5. A Biblical Standard.
If society's, other Churches', and other
people's standards prove to be an inadequate foundation for effective music
ministry. Where else can we turn? Surely God's Word is the only true measuring stick for
setting standards for any Christian ministry.
Why a BIBLICAL STANDARD?
Some may see music's role in church as:
| merely a means of communication, |
| no more than an ornament, |
| an entertaining distraction, |
| something to make the Service palatable, |
| a gimmick to attract the crowds. |
If this is the case, then we should set our standards with reference to the Arts,
Entertainment, Music and Advertising Industries. To serve this role effectively,
church musicians would set their sights on being comparable to the music people might
enjoy on TV, Entertainment Centres, and Concert Halls. I don't believe we should in any
way diminish the value of comparable levels of musical skills for talented Christian
musicians, but vastly different values and Standards are evident in Scripture.
Music in the Bible is seen in quite a different role:
| It is assumed that everyone participates, not just the talented elite, |
| Music is invariably associated with and is integral to Praise and Worship, |
| Music is a means of teaching and encouraging each other, |
| Music is often a joyful celebration of the goodness of God, |
| Music engages the whole person: body soul and spirit, |
| The focus is not on getting enjoyment, but on giving expression to the joy within, |
| Glimpses of Heaven, show the angelic hosts singing and worshipping. |
To serve this role effectively, church musicians must set their sights and lifestyle on
Biblical Standards. To build an effective music ministry, we need some answers:
- Who are we serving?
- Who is the Builder?
- Who is the Architect?
- Where is the Blueprint?
- Who is my Teacher?
- Where will the
resources come from?
- Where is your
confidence?
- Who is the Opposition?
- What is
the end result and will it last?
To develop a music ministry on to Biblical Standards, we must obvious look for Biblical
answers to these questions, and apply the principles.
|
(Mat 4:10
NIV) Jesus said to him, "Away from me, Satan! For it
is written: 'Worship the Lord your God, and serve him only.'" |
1. Who are we serving?
We can only serve one Master. But money, fame, recognition, Art, are but a few of
taskmasters that try to overcome the musician. Worship the Lord your God, and serve only
Him.
|
(Psa 127:1
NIV) Unless the LORD builds the house, its builders labor
in vain. |
2. Who is the Builder?
To make it as a musician requires years of diligent practice and self discipline. It is
often a lonely process, but a rewarding one when the applause finally comes for all that
labour. While skills must be honed in this way, self effort will not build a music
ministry. Let go and let God be the builder.
|
(Heb 8:5
NIV) They serve at a sanctuary that is a copy and shadow of what is
in heaven. This is why Moses was warned when he was about to build the tabernacle:
"See to it that you make everything according to the pattern shown you on the
mountain." |
3. Who is the Architect?
Music and Worship can foreshadow Heaven. We must therefore work to the pattern
that God reveals to us. God gave detailed plans to Moses for how people should come to Him
and offerings to Him. Under the new covenant (Heb 8:10 NIV) the Lord says, "I will
put my laws in their minds and write them on their hearts. I will be their God, and they
will be my people." God is still the Architect, and we must seek to know His
plans.
|
(2 Tim 3:14-17
NIV) ... from infancy you have known the holy
Scriptures, which are able to make you wise for salvation through faith in Christ Jesus.
{16} All Scripture is God-breathed and is useful for teaching, rebuking, correcting and
training in righteousness, {17} so that the man of God may be thoroughly equipped for
every good work. |
4.
Where is the Blueprint?
Want to be a man of God, and be thoroughly equipped for every good work? Grove's
Dictionary of Music and Musicians might will teach you a lot about music, but it won't
teach you that. Scripture alone is the blueprint for ministry. It can teach, rebuke,
correct, and train the servant, ready to do good work through music.
|
Psa 71:17
Since my youth, O God, you have taught me, and to this day I declare your marvellous
deeds. |
5. Who is the Teacher?
We need music teachers to guide us through the development of skill phases, but God is
the One Who teaches us to declare His praises. Why is it that we imagine can do that
without waiting on Him?
|
(2 Pet 1:3
NIV) His divine power has given us everything we need for
life and godliness through our knowledge of him who called us by his own glory and
goodness. |
6. Where will the resources come from?
When God calls us to serve Him, he also promises to give us everything we need.
|
(Phil 3:3
NIV) For it is we who are the circumcision, we who worship by the
Spirit of God, who glory in Christ Jesus, and who put no confidence in the flesh-- |
7. Where is your confidence?
Paul had every reason to have confidence in his own abilities. He had the necessary
training and the background. But he knew he could have no confidence in the flesh. To
serve the Lord, his confidence was in God and God alone.
|
(Eph 6:12-13
NIV) For our struggle is not against flesh and
blood, but against the rulers, against the authorities, against the powers of this
dark world and against the spiritual forces of evil in the heavenly realms. Therefore put
on the full armor of God, so that when the day of evil comes, you may be able to stand
your ground, and after you have done everything, to stand.
(1 Pet 5:6-8)
Humble yourselves, therefore, under God's mighty hand, that he may lift you
up in due time. Cast all your anxiety on him because he cares for you. Be self-controlled
and alert. Your enemy the devil prowls around like a roaring lion looking for someone to
devour. |
8. Who is the opposition?
You need to know who your enemy is so that you can prepare your defence. Every day we
will be engaging in a spiritual battle if we are working for God's kingdom. We need to put
on and use all of God's armour.
We must remain vigilant in order to maintain our focus and direction. There are so many
distractions, many of them very worthy endeavours, which can begin to erode our
foundations.
Even the great Statue of Liberty has eroded over the years and needs maintenance. This
symbol of freedom reminds us that the ideal which it symbolises, is also subject to
erosion. The potential of 'freedom for all' needs constant maintenance if it is to be a
reality.
Be vigilant to ward off the erosion of your ministry and to maintain its eternal goal.
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(Heb 12:27-29
NIV) The words "once more" indicate the removing of
what can be shaken--that is, created things--so that what cannot be shaken may remain.
{28} Therefore, since we are receiving a kingdom that cannot be shaken, let us be
thankful, and so worship God acceptably with reverence and awe, {29} for our "God is
a consuming fire." |
9.
What is the end result and will it
last?
Begin with the end in mind, is excellent advice. If you have a vision of where you are
heading, you can plan and pace your progress to that goal. Build things which have value
in God's eternal kingdom, and it will last forever. I often tell my children's choirs that
their singing is like a beautiful flower. It brings beauty and fragrance to the audience
that lingers for a numbers of days. But unlike other children who do not know and love the
Lord Jesus, God can use us to plant seeds in people's hearts which can grow and blossom
for ever. This is the essential difference between mere music and music ministry. It is
not the style or skill level, but that God is able to use us to bring Him glory and extend
His eternal kingdom.
What would you rather do? Bring beauty and joy for a short time, or sow seeds that bear
fruit forever?
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IF IT IS SUCH COMMON SENSE,
WHY DON'T WE DO IT! |
Of course, we know all of this. So
why don't we do it? |
(Rom 1:25
NIV) They exchanged the truth of God for a lie, and worshiped and
served created things rather than the Creator--who is forever praised. Amen. |
What happens when we pursue alternative Standards?
It is possible to exchange the truth of God for a lie. It happens! Fallen man has
always been prone to worship and serve created things rather than the Creator. It is all
too easy to unwittingly turn to worshipping music, or the skill of the musician. Our
society and this Entertainment Age in which we live, is a breeding ground for such
idolatry. Let us beware.
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Seeking Standards for an effective
music ministry?
Where do you look? What is your measuring stick? Where should you expend your effort?
Stephen Covey, (in The 7 Habits of Highly Effective People)
gives an amusing story about effort and effectiveness. He says:
"The leader is the one who climbs the tallest tree, surveys the entire situation, and
yells, 'Wrong jungle!'
But how do the busy, efficient producers and managers often respond? 'Shut up! We're
making progress.'" (Habit 2: Begin with the End in Mind, p. 101)
Covey goes on to say: "effectiveness - often even survival - does not depend solely
on how much effort we expend, but on whether or not the effort we expend is in the right
jungle."
We need visionary leadership who will survey the whole scene, and discern the most
appropriate Standards for us to strive after. A Biblical, God inspired vision, is the only
acceptable Standard for an effective music ministry. We will pursue this further.
Go to Setting Standards for Effective Music
Ministry,
Part 2. Setting a Standard.
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